That question--or something sort of like it--from Malhgold was interesting, and it already had several good answers, and it was a shame to lose everything when the board hiccuped this morning.
Now, having learned (the hard way, as I'm sure more learned today) how quickly things can vanish into thin air, I always make a copy of everything before I hit the 'Submit' button, so even though the original post is gone, here's my original answer, back from the dead, in the hope that maybe it will trigger those who already answered the question to give it another shot, and to provide those who hadn't answered yet another chance. Heck, maybe Malhgold will repost the original question. We're all in this together, see, and sometimes, when the bus breaks dowsn, we all just gotta get out & push, y'know?
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Hi Malhgold.
I'm not much of a risk-taker, mostly because I know what I'm doing. Putting a rotten, worm-eaten tree stump in an ostensibly traditional room might feel like a risk to some people, but not to me. Neither did using a rug that's really nothing more than leftover fragments of a much bigger carpet, with all the jagged edges & holes cut for floor outlets showing. Neither did painting my Chippendale-style camelback sofa with regular latex paint. Neither did covering an antique table with plaster, nor painting a Nerf football and calling it Art. Everybody has a different definition of risk, I guess.
So what wouldn't I do? Well, I wouldn't buy a big neutral microfiber sofa from Pottery Barn, or a big clock face or one of those scrolly rusty iron doodads for my walls. But then, those wouldn't be risks, either, because a risk is something you're not sure about, and I'm sure that either of those items would totally cheese out my apartment. How do I know that? Experience.
If only my cheese sensors had gone off before I bought that big old honking three-mirror set (I think it might have been called the 'Versailles Mirror') from a popular catalog whose mailing list I somehow got on, and which mirror, in a moment of temporary, Nyquil-induced delirium when I was home in bed with the flu, imagined that its big scale--the thing's six feet tall with all the pieces--might look good at my place.
Unfortunately, that was just the Nyquil talking. No, the mirror didn't look good, it looked cheesy & generic & mass-market, and as soon as I took the first huge piece out of the box, I knew I couldn't possibly use it. What looked, in the photos, like mullions between the multiple panes of mirror was actually nothing more than a rusty-brown painted one-piece welded iron grid thing that was mounted in front of a gigantic sheet of mirror, meaning that if you stood dead center--the way the carefully-staged catalog photos were taken--it looked like separate panes, but if you moved a few inches to the side, the illusion was destroyed, the mirror reflected the makeshift grillework thing, and the whole thing looked like hell.
Now here's the worst part of all this: the stupid thing cost more than almost anything I own. It cost more than my sofa, it cost more than my antique 1830s bed, more than my beautiful William IV table, and it cost more than my rug, antique lamps, curtains, side chairs, desk & the entire contents of my dining room put together--and it still looked like hell. I never even took the other nasty pieces out of their boxes, but dragged them all down to the rear lobby of my building where I put a big sign on them "Free! Brand New!" I'm sure someone was thrilled to get them. Me, even if they had been free, I wouldn't have wanted them. They were that bad. Moral: Don't buy trendy junk out of popular catalogs. Until now, I've never even told anybody that I ordered the damn thing. It was just too embarrassing to admit. Moral #2: Watch out for Nyquil!
OK, on to the real issue: your curtains. Yes or No?. OK, Pantone just announced that--are you ready?--either Aqua or Turquoise will be THE COLOR of 2010! I've already forgotten which one it is--either way, such proclamations mean nothing to me--but at least you know that the color will be the height of fashion for a year. That fretwork design, however, for those who care about such things, was The Motif of (I think) 2006, meaning that it's already past its freshness date. Me, I look at that design and think that fretwork was hot in the 1760s & the 1810s & the 1910s & the 1960s, and therefore that it's still every bit as valid as it was three years ago. Other people, however--the people who like to keep up with the latest trends--would consider that fretwork motif already passe, which fact might, if you're also one of those people, disincline you to spend three grand on curtains in a fabric whose design should be showing up at Goodwill any day now. If, on the other hand, you're like me, you might look on the next 18-to-24 months as the perfect time to stock up on top-quality examples of David Hicks/Hollywood Regency style, as the crowd that can afford to re-do their houses every few years toss all the bright-colored upholstery & Pop Chinoiserie in favor of gray-painted Neoclassical chairs covered in rough linen & chunky distressed-wood tables with galvanized metal tops. In other words, now's the time to buy! Plus ca change! In decorating, as in most things, timing is everything.
Regards,
Magnaverde.
stinky-gardener
ttodd
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